The motif of harmful sensation is a recurring idea in fiction: physical or mental damage that a person suffers merely by experiencing what should normally be a benign sensation. The phenomenon appears in both traditional and modern stories.
The theme is similar to the notion of the evil eye: the sight that harms is the gaze that harms. The harm is thought to be caused by seeing something or being seen by it — a parallel idea is the contrast between metaphysical or vitalist conceptions that treat vision as an active function of the eye, and the scientific conception of the eye as passively receiving light that is present even when vision does not occur.
While this motif is largely imaginary, a real-life example is epileptic seizures triggered by strobe lights. Light flashing at a specific frequency can "pump" EEG rhythms at the same frequency and induce a seizure. This effect can also be triggered by flashing screens in film and video games. The Pokémon episode Dennō Senshi Porygon was believed to have caused seizures in some 700 children (although the number actually affected was later thought to be far fewer).[1]
Mythology, legend and tradition
Viewing a deity
A Judeo-Christian tradition claims that viewing God‘s face will result in death (see ). For example, when Lot‘s wife defies the orders of an angel and watches God destroy a city, she is turned into a "pillar of salt" ().
Death caused by seeing the true form of a deity is a common belief in mythologies. For example, in Greek mythology when Zeus acceded to the demands of his paramour Semele that he reveal himself in his full glory, she was burned to death. She was pregnant with Dionysus at the time; he was rescued by Zeus and grew to term inside a pocket sewn into Zeus’ thigh.
In many religious systems, a deity’s nature cannot be understood by the inferior human senses nor by the human mind. To experience what God is, one must commune with God by leaving the ego and the body behind. This is one of the aims of yoga, tantra, and some Gnostic practices.
The eye that can kill
Another variation of the motif is the eye that brings death, a capability that some gods possess in a number of mythologies. In Hindu mythology, for example, Shiva can use his third eye to emit a beam of some kind of energy that instantly burns the target.
Another dramatic example of the killing eye is found in Celtic mythology. The Fomorian king Balor of the Burning Eye possessed an eyeball that not only had a destructive gaze but was itself dangerous to touch. Balor’s eyelid was so heavy and swollen that he could not lift it himself and had to order his bodyguards to lift it using a bone ring. He was defeated by the hero Lugh of the Long Hand, who cast his spear at Balor’s eye just as his bodyguards were about to open it. When Lugh’s spear exited through the back of Balor’s head, every creature struck by a fragment of the deadly eye perished in agony.
The mythical catoblepas also has a deadly gaze that it cannot easily use because its head is unusually heavy and is almost impossible for it to lift. Unlike the basilisk, the catoblepas is traditionally portrayed as a pathetic beast rather than as a malevolent one. Indeed, in The Temptation of Saint Anthony, the catoblepas says that because its head is constantly forced downward, it has sometimes gnawed its own forelegs without realizing it.
Greek mythology
Medusa, after 1590, by Caravaggio
- In Greek mythology, anyone who directly views the Gorgons is turned to stone. When Perseus confronted Medusa, the most famous of the Gorgons, he avoided this fate by viewing her in his reflective shield in order to guide his sword. Athena or Zeus mounted the head of Medusa on her shield to form the Aegis. Roman mosaics are often decorated with Medusa heads as a protective charm.
- In both the Odyssey and the tale of the Argonauts, the sirens used their singing to draw heedless mariners to their doom. As countermeasures, the characters of the stories physically restrained crew members, plugged their ears, or listened to even more beautiful music.
- Narcissus was so paralyzed by the mere sight of his beautiful reflection that he could not look away. As a result, he eventually starved.
- Artemis chastised those she caught peeping at her (such as Actaeon and Siproites) by metamorphosing them.
- The basilisk, dating to classical Greek myth, has a rich tradition. Its characteristics sometimes include a harmful breath and a fatal gaze. It passed into Medieval legend under the Latin-derived name of cockatrice.
The harp of Daghda
In Celtic mythology, the gods known as the Tuatha Dé Danann brought five magical items from the North to Ireland to use against the Fomorians. The fifth item is the harp of Daghda, which Lugh later used to battle the Fomorians.
The harp can play three songs: One of sorrow, one of joy, and one of peace. When heard, the song of sorrow inflicts pain, the song of joy causes laughter, and the song of peace brings calmness. The duration that the song is played changes the effect. If the song of peace is played too long, for example, the listener falls asleep, which can ultimately lead to eternal sleep, the equivalent of death.
It is also said that the three songs must not all be played at once, because this will result in the ultimate song and will cause the world to cease to exist.
Indigenous Australian traditions
- Among Indigenous Australians (Aborigines), ceremonies that are part of men’s business should not be seen by women, and vice versa. Harm is said to come upon those people who accidentally witness what they are not traditionally permitted to see.
- There is a strong and continuing belief among urban Aboriginal people that a person can have the evil eye put upon them, particularly by pointing the bone and wishing them dead, or that they can be whispered to death.
Other examples
- It is said that if a mandrake plant is pulled from the ground, it emits a shriek so horrible that anyone within earshot is deafened, driven mad, or even killed. Hence, acquiring a mandrake requires a number of precautions. In Niccolò Machiavelli‘s play La Mandragola (1518), a dog is used to pull up the mandrake so that it will die from the scream instead of those procuring the plant.
- One version of the legend of the Rhine siren Lorelei says that the man who sees her loses sight of reason, while the man who listens to her is condemned to wander with her forever.
- According to legend, reading the whole of The Book of One Thousand and One Nights brings madness.
- Those who see the Galician procession of the dead, the Santa Compaña, must join it.
- It was a widespread belief in Spain, Portugal and Latin America that some people had an "evil eye" (mau-olhado, mal ojo, olho gordo) that could cause a lot of trouble regardless of the subject’s intentions (the effect was unintentional and the possessor of the evil eye could be unaware of it):
- Livestock would die off or cease producing milk,
- Beautiful children would die or suffer disfiguring diseases,
- Porcelain china would fall down and break,
- Pregnant women would suffer miscarriage,
- Handsome men would die or become impotent,
- Pets would get rabies, be killed by wild animals or attack their owners,
- Houses would catch fire,
- Paintings would peel off or fade away,
- Milk would turn sour,
- Employees would leave or become lazy,
- Betrothals would be broken,
- Furniture would be involved in domestic accidents hurting people,
- Clothes would wear off or be attacked by moths.
Because no one could be sure whether his eyeing of someone else’s properties or family was safe from evil eye it was commonplace to add the phrase Benza-o/a Deus ("God bless it/him/her") after any remark about anything in someone else’s possession or anyone from another family. People who refused or neglected to say this were often shunned as potential bearers of the evil eye. As of 2007, in Brazil, one can still find newspaper ads of psychics claiming to identify and divert the effects of evil eye.
- In various Balkanic mythologies, seeing a faerie without performing preventive rituals, or even worse being spotted by one, breaks a faerie taboo, and consequently the person may receive illnesses ranging from foot or leg-related problems to epilepsy or madness. These conditions can be cured by going back to the same place at the same time of day with a person who is on good terms with faeries (for example, a shaman initiated by faeries) or with someone who is able to cure such illnesses.
- In the Lady Godiva legend, Peeping Tom is the character who defied a proclamation and watched the naked Godiva riding through the streets of Coventry. As punishment, he was blinded; though in other versions of the story, he was struck by lightning.
Urban legends
The Nigerian phone call
In a modern twist of the motif, a widespread urban legend from mid-2004 in Lagos, Nigeria claimed that answering phone calls made from a certain number would result in instant death.[2]
The Hungarian Suicide Song
According to urban legend the song Gloomy Sunday written by Rezső Seress in 1933 inspired hundreds of suicides. Publicity accompanying its North American release described it as the "Hungarian Suicide Song", probably as a marketing ploy. The German/Hungarian movie Gloomy Sunday – Ein Lied von Liebe und Tod (1999), based on the novel by Nick Barkow, suggests that the song contains a hidden message which, once heard clearly, will resolve the listener to suicide. In the film the song does not initially have words, and a large number of suicides are inspired by the tune alone.
Modern fiction
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Main article: Examples of the motif of harmful sensation in fiction
The heavy use of the motif in modern fiction is often traced back to a handful of writers. In Naples and Florence: A Journey from Milan to Reggio (1817), Stendhal discussed the sensation of being physically overwhelmed by a surfeit of beauty, a phenomenon which is now called Stendhal syndrome. However, a more direct ancestor was Mark Twain‘s short story A Literary Nightmare (1876) which concerns a notice seen on a railway car that, once heard, obsesses the hearer, who cannot forget about it until he or she repeats it to someone else.
In 1895, a collection of stories by Robert W. Chambers about a fictional play (the book and the play within it are both entitled The King in Yellow) described the play as cursing each of its readers and driving many of them mad. This idea was reused in the 1920s by H. P. Lovecraft in reference to the fictional book Necronomicon, who was heavily copied by short story writers in the 1950s.
In real life
- Some recently developed nonlethal weapons use sounds to induce paralysis or extreme discomfort.
From: the freedictionary
Mariel Wong 